After a master's degree in Audiovisual and Multimedia Representation at the University of Turin and a master's degree at the Roma Tre University in film preservation, he had several trainings and collaborations with lab and film libraries in Italy and abroad like Museo Nazionale del Cinema di Torino, Cineteca Nazionale e Istituto Luce, "La Camera Ottica" in Gorizia, the Filmmuseum in Vienna. From 2015 to 2019 he was the Head of the restoration projects at the Helena Sanchez Valenzuela laboratory of the Cineteca Nacional Mèxico in Mexico City. Since September 2019 he is a consultant for Cinèmathèque Suisse, and since September 2020 he has been in charge of the digital restoration laboratory in the Cineteca of the Museo Nazionale del Cinema di Torino. Over the years, he published in magazines like "Black and White" and "Journal of Film Preservation" and has given presentations on the Cinema Ritrovato Festival and the FIC Silente México.

Archivist and audiovisual historian. He has worked, among others, at the Museo Nazionale del Cinema (Turin), Fondazione Cineteca Italiana (Milan), Archivio Nazionale del Film di Famiglia Home Movies (Bologna). He has published essays and articles in important Italian and international volumes and periodicals (Journal of Film Preservation, Black & White, Fata Morgana) and edited the books "L'immagine colore. Le fer à cheval, a Pathé film" (Artdigiland, 2016), "Marcello Mastroianni, un uomo al cinema" (Clichy Editions, 2016) and is co-author of "L'immagine in movimento e la rivoluzione digitale"( Carocci, 2020, with Virgilio Tosi and Lorenzo Lorusso). He is currently Cinema Manager of some theatres in  Milan.